Senin, 30 Desember 2013

[T608.Ebook] Download Still more scary stories for sleep-overs (#3), by Q. L. Pearce

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Still more scary stories for sleep-overs (#3), by Q. L. Pearce

The third volume of Scary Stories for Sleep-Overs unleashes 11 thrilling tales that will creep into the imaginations of young readers and never let them go. Startling black-and-white illustrations flesh out each blood-curdling tale that will scare the slumber right out of sleep-overs, camp-outs, or any dark, stormy night.

  • Sales Rank: #2380776 in Books
  • Published on: 1993-06-04
  • Released on: 1993-06-04
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.00" h x .29" w x 6.02" l,
  • Binding: Mass Market Paperback
  • 128 pages

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Kamis, 26 Desember 2013

[C139.Ebook] Download The Idiom of Love: Love Poetry from the Early Sonnets to the Seventeenth Century, by Judy Sproxton

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The Idiom of Love: Love Poetry from the Early Sonnets to the Seventeenth Century, by Judy Sproxton

Written in a clear and engaging style, The Idiom of Love explores the fascinating world of 16th and 17th century European love poetry - the pinnacle of this branch of literature. Poems of love need not be autobiographical; but as an expression of the purest form of emotion, they necessarily draw both from the poet’s own experience and on a lyrical canon. In this book, Judy Sproxton examines both from Petrarch’s influential imagery of irreconcilable opposites through the work of the most brilliant 16th and 17th century exponents. From Shakespeare’s withdrawal of love poetry from the public eye to Donne’s delight in the positive aspect of love between a man and a woman, The Idiom of Love provides new insights into one of the most inspiring periods in European literature for students and lovers of poetry.

  • Sales Rank: #4080409 in Books
  • Brand: Brand: Bristol Classical Press
  • Published on: 2000-07-11
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.50" h x 6.50" w x .75" l, .80 pounds
  • Binding: Hardcover
  • 192 pages
Features
  • Used Book in Good Condition

About the Author
Judy Sproxton taught 17th century French Literature at the Universities of Leeds, Warwick and Birmingham. She is the author of The Women of Muriel Spark and Violence and Religion.

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Selasa, 24 Desember 2013

[B682.Ebook] PDF Download Understanding Human Nature (Psychology Revivals), by Alfred Adler

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Understanding Human Nature (Psychology Revivals), by Alfred Adler

Originally published in 1928 this book was an attempt to acquaint the general public with the fundamentals of Individual Psychology.  At the same time it is a demonstration of the practical application of these principles to the conduct of everyday relationships, and the organization of our personal life.  Based upon a years’ lectures to audiences at the People’s Institute in Vienna, the purpose of the book was to point out how the mistaken behaviour of the individual affects harmony of our social and communal life; to teach the individual to recognize their own mistakes; and finally, to show them how they may effect a harmonious adjustment to the communal life.  Adler felt that mistakes in business or in science were costly and deplorable, but mistakes in the conduct of life are usually dangerous to life itself.  This book is dedicated by the author in his preface ‘to the task of illuminating man’s progress toward a better understanding of human nature.’

  • Sales Rank: #1223629 in eBooks
  • Published on: 2013-06-26
  • Released on: 2013-06-26
  • Format: Kindle eBook

About the Author
Alfred Adler is an Austrian psychologist, founder of the school of individual psychology.

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Kamis, 19 Desember 2013

[D335.Ebook] Ebook The Automatic Customer, by John Warrillow

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The Automatic Customer, by John Warrillow

The lifeblood of your business is repeat customers. But customers can be fickle, markets shift, and competitors are ruthless. So how do you ensure a steady flow of repeat business? The secret—no matter what industry you’re in—is finding and keeping automatic customers.

These days virtually anything you need can be purchased through a subscription, with more convenience than ever before. Far beyond Spotify, Netflix, and New York Times subscriptions, you can sign up for weekly or monthly supplies of everything from groceries (AmazonFresh) to cosmetics (Birchbox) to razor blades (Dollar Shave Club).

According to John Warrillow, this emerging subscription economy offers huge opportunities to companies that know how to turn customers into subscribers. Automatic customers are the key to increasing cash flow, igniting growth, and boosting the value of your company.

Consider Whatsapp, the internet-based messaging service that was purchased by Facebook for $19 billion. While other services bombarded users with invasive ads in order to fund a free messaging platform, Whatsapp offered a refreshingly private tool on a subscription platform, charging just $1 per year. Their business model enabled the kind of service that customers wanted and ensured automatic customers for years to come.

As Warrillow shows, subscriptions aren’t limited to technology or media businesses. Companies in nearly any industry, from start-ups to the Fortune 500, from home contractors to florists, can build subscriptions into their business.

Warrillow provides the essential blueprint for winning automatic customers with one of the nine subscription business models, including:

  • The Membership Website Model: Companies like The Wood Whisperer Guild, ContractorSelling.com, and DanceStudioOwner.com offer access to highly specialized, high quality information, recognizing that people will pay for good content. This model can work for any business with a tightly defined niche market and insider information.
  • The Simplifier Model: Companies like Mosquito Squad (pest control) and Hassle Free Homes (home maintenance) take a recurring task off your to-do list. Any business serving busy consumers can adopt this model not only to create a recurring revenue stream, but also to take advantage of the opportunity to cross-sell or bundle their services.
  • The Surprise Box Model: Companies like BarkBox (dog treats) and Standard Cocoa (craft chocolate) send their subscribers curated packages of goodies each month. If you can handle the logistics of shipping, giving customers joy in something new can translate to sales on your larger e-commerce site.

This book also shows you how to master the psychology of selling subscriptions and how to reduce churn and provides a road map for the essential statistics you need to measure the health of your subscription business.

Whether you want to transform your entire business into a recurring revenue engine or just pick up an extra 5 percent of sales growth, The Automatic Customer will be your secret weapon.

Table of Contents
Introduction
PART ONE: SUBSCRIBERS ARE BETTER THAN CUSTOMERS
Chapter 1: The
New
500-Year-Old Business Model
Chapter 2: Why You Need Automatic Customers
PART TWO: THE NINE SUBSCRIPTION BUSINESS MODELS
Chapter 3: The Membership Website Model
Chapter 4: The All-You-Can-Eat Library Model
Chapter 5: The Private Club Model
Chapter 6: The Front-of-the-Line Subscription Model
Chapter 7: The Consumables Model
Chapter 8: The Surprise Box Model
Chapter 9: The Simplifier Model
Chapter 10: The Network Model
Chapter 11: The Peace-of-Mind Model
PART THREE: YOUR SUBSCRIPTION BUSINESS FIELD GUIDE
Chapter 12: The New Math
Chapter 13: The Cash Suck vs. The Cash Spigot
Chapter 14: The Psychology of Selling a Subscription
Chapter 15: Scaling Up
Chapter 16: Reflections

  • Sales Rank: #616602 in Books
  • Published on: 2016-08-04
  • Original language: English
  • Dimensions: 7.83" h x .55" w x 5.28" l, .53 pounds
  • Binding: Paperback

Review
“Whether your business is exploding or stuck in a rut, there’s something you can learn from John Warrillow in this book. Read, apply, and watch your bank deposits grow every month.”

—CHRIS GUILLEBEAU, New York Times bestselling author of The Happiness of Pursuit and The $100 Startup


“By page 40, The Automatic Customer will have you fundamentally reexamining your entire business. This is a brilliantly made case for why subscription revenue should be a part of every company. Highly recommended!”

—JAY BAER, New York Times bestselling author of Youtility


“It’s rare that a book is able to have such a universal, immediate, and profound impact on the strategy of almost every business okay, every business. Warrillow’s case for adding a recurring revenue stream to your business model is convincing and he shows you nine ways to do it, as well as how to navigate the potential pitfalls.”

—VERNE HARNISH, CEO of Gazelles and author of Scaling Up, The Greatest Business Decisions of All Time, and Mastering the Rockefeller Habits


“The Holy Grail in business today is the eternally loyal customer. The Automatic Customer is your blueprint for building a business that generates profit over and over again.”

—JOHN JANTSCH, author of Duct Tape Marketing and Duct Tape Selling


“In this fantastic book, John Warrillow provides a clear path to turning your company from one that needs to start from scratch every month to one in which your work and, most important, your results, are predictable. If you want to build a business with a very healthy bottom line and extremely well-served customers, this book is an invaluable resource.”

—BOB BURG, coauthor of The Go-Giver and author of Adversaries into Allies

About the Author
JOHN WARRILLOW, the author of Built to Sell, is the founder of a subscription-based company called The Value Builder System™, where advisers help company owners increase the value of their businesses. Before that he founded Warrillow & Co., a subscription-based research business dedicated to helping Fortune 500 companies market to small business owners. A sought-after speaker and popular Inc.com columnist, he lives in Toronto, Canada.

Excerpt. © Reprinted by permission. All rights reserved.

Introduction

We had been running together for five months when Sacha announced he was leaving on a business trip to China. The timing could not have been worse; the marathon was just six weeks away, and we had come to rely on each other to stay motivated through the hardest part of our training schedule.

Now, at the height of our work, he was leaving for two weeks.

Since Sacha and I wouldn’t be able to run together, we decided to egg each other on digitally. We agreed to text each other the results from our training run each day as a way to stay motivated. Sacha asked if, instead of texting, we could use a messaging service called WhatsApp.

I was used to texting using the standard service on my iPhone, so I wasn’t in a hurry to learn a new platform. I asked him why we couldn’t just text the normal way.

Sacha replied that the phone company charges a relative fortune to text from China, and WhatsApp, instead of using the mobile networks, runs on the Internet and therefore doesn’t require expensive mobile carrier fees. In fact, the only fee to use WhatsApp is a $1 per year subscription it charges after the first year.

We used WhatsApp to communicate while Sacha was in China, and eventually finished the marathon together, thanks in part to our WhatsApp-supported training regimen. It turns out that, in using WhatsApp, we were not alone. By early 2014, WhatsApp had acquired 450 million users and was adding a million users per day when Facebook announced it had acquired the company for $19 billion—the largest acquisition of an Internet start-up in history.

Most of the other Internet-based messaging services at the time used an advertising model to monetize their users. They offered a free platform but bombarded users with cheesy ads in return. WhatsApp founders Jan Koum and Brian Acton wanted to offer a cleaner, more private messaging experience. Instead of selling advertising, they opted for the subscription business model.

A dollar a year as a subscription fee may not sound like much, but when you have 450 million users and are picking up a million users a day, $1 a year starts to add up. What’s more, because WhatsApp doesn’t try to be anything other than a subscription-based messaging platform, it doesn’t need a lot of employees. In fact, at the time of its acquisition, it had just 55 people taking care of its 450 million subscribers.

WhatsApp won the $19 billion lottery not because its technology was better, or its people were any more caring, or its advertising was funnier. WhatsApp won, in large part, because it made its customers automatic. It chose the right business model for success by asking users to subscribe to its service.

This book will show you how to apply the subscription business model to your own business. When people think of subscriptions, they often think of cloud-based software, gaming, or media companies. While readers from those industries will benefit from this book, you can also apply the subscription business model to your company—no matter what your size or industry. WhatsApp is only one example of how powerful automatic customers can be for the growth of your business.

I Screwed Up

The last time I wrote a book, I screwed up.

Called Built to Sell: Creating a Business That Can Thrive Without You, the book was designed to illustrate how to transform a successful business into a sellable one. In it, I touched briefly on the importance of having customers who repurchase from you on a regular schedule, but in hindsight, I should have dedicated at least half the book to recurring revenue.

In the years since Built to Sell was published, I’ve come to see how important recurring revenue is in building a valuable, sellable company. These days I run a subscription business called The Sellability Score (SellabilityScore.com) that helps owners build valuable companies by examining the eight key drivers of sellability. Owners who achieve a Sellability Score of 80 or more out of a possible 100 garner offers that are 71% higher than the average.

The biggest factor in driving up your Sellability Score is the degree to which your company can run without you, the owner. That’s a head scratcher for a lot of owners who are the best salesperson in their business. The secret is to build recurring revenue that brings in sales without having to resell the customer each month.

To appreciate the impact of recurring revenue on your company’s value, you have to understand what buyers are buying when they acquire a business. Most owners want buyers to value their past achievements, such as last year’s profits or an industry award they’re proud of. In fact, it has been my experience that financial buyers are really buying only one thing when they purchase a company: a future stream of profits.

In the home security business, for example, companies have two forms of revenue. They receive installation revenue when they come to your home or office to install the keypad and wire things up, and they receive monitoring revenue in the form of the monthly payment for keeping an eye on things.

At SellabilityScore.com, we know from our analysis that when an acquirer buys a security business, it pays 75 cents for “one-shot” installation revenue and $2 for every dollar of monitoring revenue. Said another way, a security company with 100% monitoring revenue (the subscription aspect of such a business) is almost three times more valuable than a security business of the same size that has 100% installation revenue.

The same trend plays out across most industries. Accounting firms are valued based on their recurring fees. Financial planning practices trade based on how likely clients are to stay with the firm after the owner retires. IBM’s stock moves up and down based on its recurring revenue from service contracts.

So recurring revenue makes your business a lot more valuable, and it also makes your company less stressful to run.

The Tyranny of Selling & Doing

In 1997, I started Warrillow & Co., a research company. We started out as a typical “sell/do” services business; our job was to cultivate relationships with people, listen to their problems, and try to come up with a solution. Each project was different, and we spent the majority of our time developing custom proposals, many of which were never accepted.

The company was profitable on paper but debilitatingly stressful to run. I hated the first day of each month because that was when all the dials turned back to zero and we had to scramble to find enough business to cover our overhead.

I remember distinctly the first time our fixed expenses crested $100,000 per month. I thought to myself, “If we don’t sell anything this month, we still have $100,000 in expenses to cover!”

The stress of having to re-create the business from scratch each month led me in search of a better model. I started to study other research companies, like Gartner and Forrester Research, that had successfully “productized” a service and, as a result, began experimenting with automating parts of our business.

Instead of doing “one-shot” research, we decided to offer the identical packages of information to a subscriber base of customers. Instead of doing custom proposals, we created a brochure about our offering and a standard proposal. Instead of getting paid 60 days after the project was complete, we charged up front for an annual subscription to our research.

The business became much less stressful to run. We went into each new month with revenue on the books, and we were no longer beholden to any one customer. In fact, we starting winning the world’s largest companies as subscribers, including American Express, Apple, AT&T, Bank of America, Dell, FedEx, Google, HP, IBM, MasterCard, Microsoft, Sprint, Visa, and Wells Fargo. Charging for our subscription up front also meant that after a while we had more cash than we knew what to do with. To top it off, we were growing at a rate of 25% a year and were quickly replacing the revenue from the one-shot projects we had left behind. Warrillow & Co. was acquired by a public company in 2008.

You may be thinking, That’s nice, but it would never work in my industry or in my company. Maybe—especially if you cling to the standard industry practices of your category. But as you’ll see, virtually every business—from a start-up to a Fortune 500 company, from a home contractor to a manufacturer—can create at least some recurring revenue if it is willing to jettison the old way of doing things to pioneer a new business model.

And companies that don’t just might face competition from those that do. Increasingly, some of the smallest businesses in the world are facing crippling competition from the largest. The subscription economy has pitted small companies against big ones and suppliers against resellers, and has even made partners into enemies. The battle lines are being drawn, and I hope The Automatic Customer will be your secret weapon for winning in the subscription economy.

If you are someone who has a business that you would like to make a little more predictable, a little less stressful, and a whole lot more valuable, this book is for you. Whether you want to transform your entire business model or just pick up an extra 5% of automatic revenue, I hope you’ll see yourself in the following pages.

What You’ll Find Inside

The book is organized into three sections. Part One outlines the surprising truth about who is winning in the subscription economy, why companies like Apple and Amazon are transforming themselves into subscription businesses, and why virtually every venture-backed start-up has a recurring revenue model.

We’ll also look at eight ways your business will be more valuable and less stressful after you adopt the subscription model. You’ll learn how the subscription business model dramatically increases the average value of each of your customers, and how to smooth out demand in your company so that it matches your ability to fulfill it. We’ll discuss why automatic customers buy more than one-shot customers and why subscription revenue is stickier than a one-time purchase.

Part Two is divided into minichapters on the nine subscription business models. As you’ll see, you have a variety of choices when it comes to building a recurring revenue stream for your business. Whether you want to transform your entire business or just pick up a few thousand dollars of passive income, you’ll get a ton of new ideas for applying the subscription model to your company.

The third and final section of The Automatic Customer gives you the blueprint for building your subscription business. We’ll discuss a handful of key statistics that will define the viability of your subscription and highlight one ratio you must achieve in order to scale up. We’ll look at the psychology of selling your subscription and how to overcome something I call “subscription fatigue.” Then we’ll turn to financing the growth of your subscription business and explore whether you want to raise venture-capital funding, as WhatsApp and Dollar Shave Club did, or self-fund your growth, like FreshBooks and Mosquito Squad. Part Three ends with a discussion on scaling your subscription business.

Let’s get started.

PART ONE

Subscribers Are Better than Customers

Why are Amazon, Apple, and many of the most promising Silicon Valley start-ups leveraging a subscription business model? In Part One we’ll look at how automatic customers make your company more valuable . . . and a whole lot more enjoyable to run.

CHAPTER 1

Who Wins in the Subscription Economy?

Amazon has come a long way since its days of just hawking cheap books online. Of course, you can still buy books on the site, but today’s Amazon will sell you everything from diapers to laundry detergent. Increasingly, it is digging deeper into our pockets through the subscription service called Amazon Prime.

Amazon Prime subscribers pay Amazon $99 a year in return for goodies like free streaming of thousands of movies and TV shows and free two-day shipping on most Amazon purchases. According to a 2013 report released by Consumer Intelligence Research Partners, there are now approximately 16 million subscribers to Amazon Prime. As I write this, the folks at Morningstar estimate, since Amazon does not release the data publicly, that membership in Amazon Prime could swell to 25 million by 2017.

If you were to carve out Amazon Prime as a stand-alone business, it would already be a billion-dollar subscription company, but that severely underestimates the value of Prime to Amazon. Like many subscription models, Amazon Prime is a Trojan horse that is expanding the list of products consumers are willing to buy from Amazon and giving the eggheads in Seattle a mountain of customer data to sift through.

“It was never about the $79,” said Vijay Ravindran, who worked on the team that launched Prime at its original price of $79 per year. “It was really about changing people’s mentality so they wouldn’t shop anywhere else.”1

According to Morningstar, the average Prime member now spends $1,224 on Amazon purchases each year, compared with $505 for non-Prime customers.2 We cannot say Prime members spend that much more just because they are members, since presumably a lot of Amazon’s best customers would have been attracted to the free shipping offer. However, this data seems to suggest that once someone becomes a Prime subscriber, they become even more loyal to Amazon. Further, Morningstar figures that after factoring in costs incurred for shipping and streaming content, the average Prime member yields Amazon $78 more per year in profits than the typical customer.

Given the positive impact Prime seems to have on customers’ buying behavior, some analysts have argued that Amazon should drop the fee for subscribing to Prime in order to grow the program even faster. But that thinking misses a key element of Amazon’s strategy. When you pay $99 per year to become a member, you want to “get your money’s worth.” Suddenly you start checking Amazon’s pricing on annuity stream adjacent to your main business, you sorts of products, from paper towels to sneakers, with hopes of “making back” what you invested in the membership. Given Amazon’s aggressive pricing and seemingly endless product selection, you can almost always find what you’re looking for at a price that’s lower than what you could find elsewhere. When you factor in free shipping, it becomes an easy decision to buy from Amazon.

Robbie Schwietzer, vice president of Amazon Prime from 2008 to 2013, summarized: “In all my years here, I don’t remember anything that has been as successful at getting customers to shop in new product lines.”3

Through Prime, Amazon is competing head-to-head with the likes of Walmart and Target. Why should you care if three heavyweights are pounding it out for market supremacy? Because as customers buy a broader and broader collection of items from Amazon, Prime is cannibalizing the business of smaller companies too.

The other day I bought a pair of New Balance running shoes from Amazon. I’ve never thought to use Amazon for buying sneakers, but since I am now a Prime member, and therefore get free shipping on shoes, I chose Amazon instead of walking down the street to my local Running Room store.

The Running Room is a small company compared to Amazon, with 100 or so locations scattered around North America. Most people would not consider Amazon a direct competitor. Yet the Running Room is now losing my shoe-buying business because of a little $99-per-year Prime subscription I bought.

Everything by Subscription

Amazon, having learned a lot about the subscription business through Prime, is now applying the subscription model to other areas of its business. AmazonFresh is a grocery delivery business Amazon has been experimenting with in its hometown of Seattle since 2007. Amazon Fresh didn’t start out as a subscription business; instead, it was open to anyone willing to pay the delivery fee of $8 to $10 to have milk, veggies, and meat brought to their door in a one- to three-hour delivery window.

AmazonFresh stayed stuck in beta in one city for six years as the company tried to work out a profitable business model. The business proved challenging, which Amazon founder Jeff Bezos seemed to acknowledge in response to a question about AmazonFresh at Amazon’s 2013 annual shareholders meeting: “They have made progress on the economics over the last year,” said Bezos.4 “They’ve been doing a lot of experiments and trying to get the right mixture of customer experience and economics. I’m optimistic that the team is making good progress.”5

In spring 2013, AmazonFresh added Los Angeles as the second city for the program. But in L.A., the Amazon Fresh offer had one stark difference: L.A.-based customers were asked to subscribe to Prime Fresh for $299 a year, which gave them free grocery delivery on orders over $35.

As with Amazon Prime, the act of subscribing spurs Prime Fresh members to buy more frequently and from a broader array of grocery categories. If I’m ordering milk anyway, a customer might reason, why not top up the order north of $35 with a case of Coke and a refill on the laundry detergent I’m about to run out of? As with Prime, the very act of sinking money into a subscription triggers the desire for the consumer to want to “get his money’s worth,” which in turn creates the kind of customer behavior Amazon wants to see. And Amazon isn’t stopping at groceries: Subscribe & Save is yet another subscription service from Amazon; you subscribe to receive regular shipments of things you frequently run out of, like dish soap and paper towels. If you sign up for five or more subscriptions that share the same delivery date, you receive 15% off the entire order.

As more consumers consolidate their buying on Amazon’s subscriptions, the competition is reacting. In the fall of 2013, Minneapolis-based Target launched Target Subscriptions, a program similar to Subscribe & Save. Not surprisingly, its first focus was on baby products like diapers and wipes—a category Amazon placed a big bet on when it paid $545 million to acquire Quidsi, the creators of Diapers.com, which itself offers a subscription for diapers that enjoyed 30% month-over-month growth in 2013.6

Amazon is known for its wins in selling to consumers—but subscriptions can work for B2B as well as B2C. One of Amazon’s latest ventures is a subscription that offers to help other companies grow their subscription businesses. Amazon Web Services (AWS) offers companies access to servers, software, and technology support on a subscription basis. Many of the world’s largest subscription companies, including Adobe, Citrix, Netflix, and Sage, use AWS, along with many of the highest-profile start-ups, like Airbnb, Pinterest, Dropbox, and Spotify.

Amazon is pioneering the subscription model in virtually every area of its business, but the subscription model is nothing new. In fact, it’s been around for quite a while.

A (Very) Short History of the Subscription Model

The history of the subscription business model dates back to the 1500s, when European map publishers would invite their customers to subscribe to future editions of their maps, which were evolving as new lands were discovered, conquered, and claimed. The geopolitical landscape was evolving, and map publishers would obtain commitments from members of the noble and academic classes to subscribe to future volumes of their maps, giving the publishers the capital they needed to plot the world’s discoveries on paper.

This model was then applied to early newspapers and magazines, dating back to the periodicals of 17th-century Europe.7 Eventually the subscription model became the standard business approach for information publishing. Readers were asked to subscribe to general interest publications, and their subscription fees, combined with advertising revenue, provided the money needed to fund the editorial product and the cost of mailing the publication to each reader. This trend continued well into the 20th century, as it was also a reliable way to get rich. Publishers like William Randolph Hearst and, more recently, Rupert Murdoch have made their initial fortunes from publishing subscription-based newspapers.

Most helpful customer reviews

37 of 37 people found the following review helpful.
A good premier into the emerging subscription economy
By Mahipal Lunia
Synopsis: Subscription Biz models are here to stay in everything from software, to content to household consumables.
The author has listed 9 specific models/approaches to take:
1. Membership Website Model: Works best in a tightly defined niche with specialized knowledge is needed
2. All you can eat library model: Evergreen content is an example. Think netflix - even the most addicted watcher could not go through it all
3. Private Club Model: Limited supply being sold to an affluent clientele. High prices, low numbers
4. Front of the line model: Different prices for different levels of service/support. works best on complex products/services.Think salesforce.com's model for how your complaints are dealt with
5.The Consumables Model: Selling products that naturally run out as a service, where ordering things can be a chore. Food, blades, vitamins etc.
6. Surprise Box Model: when you have a network that is willing to buy deeply discounted consumables from manufacturers at deep discount. The idea being some of the consumers will then order a subscription service at regular prices.
7. Simplifier Model: Its a complex word, simply the buying process and choice. Works best with an affluent consumer needing a service on an ongoing basis
8. Network Model: fixed price, and value of service grows as number of subscribers grow. Think phones
9. Peace of Mind Model: this is the insurance sale , where you pay for a peace of mind in the event you may need the service.
He closes the book out with the new math of the subscription game with concents such as Customer acquisition cost, Monthly renewal rate, Life time Value of customer, Margins and Churn.
The book is a good way to think about what models will work best in your industry / Excellent premier.
If you are in a service biz or work with technology - BUY THE BOOK to learn the new language and math of business!

What would have made it more powerful was a workbook or a step by step process to figure out which combinations of business models work best in the type of industries. Further commentary on the drawbacks of each model would have made this an invaluable text.

Mahipal Lunia
www.TheRenaissancePath.com
www,RadicalChangeGroup.com
www,MountainViewAiki.com

12 of 13 people found the following review helpful.
A must-have book for business owners
By Trevor Currie
If you've ever dreamed of starting a business or you already own one, this book is indispensable because it:

1) explains the financial and freedom rewards that come with subscription businesses;
2) provides a breakdown of the different types of subscription models and illustrates them with instructive and inspiring examples; and
3) gives us the playbook on how to market, manage and grow subscription businesses.

What sets this book apart is John Warrillow's credibility. He's done it. He successfully transformed a traditional business (sell the work/do the work) to a subscription model and then sold it. Combine this with his wealth of experience advising business owners and track record of authorship and you have the makings of a must-have book: The Automatic Customer. It has a wealth of practical and profitable ideas for business owners, whatever the existing business model.

2 of 2 people found the following review helpful.
If you're comfortable being uncomfortable, this book will grow your business
By David Newman
Great case studies and concrete examples of 11 different MRR business models - monthly recurring revenue.

The book gets you thinking in completely different ways about your revenues, your customers, your marketing, and most importantly - the future of your business using the subscription model.

It's both exciting and enlightening while also making you uncomfortable in 2 different ways:

1. The discomfort of changes required to make the "Automatic Customer" models work in your business, industry, and niche

2. The discomfort of NOT implementing a monthly recurring revenue model and all the potential revenue you're leaving on the table if you don't act on Warrillow's wise and balanced advice

Buy this book - read it - and then implement a few of its "uncomfortable" ideas. Your bottom line will thank you for it.

-- David Newman,
Author of Do It! Marketing: 77 Instant-Action Ideas to Boost Sales, Maximize Profits, and Crush Your Competition

See all 127 customer reviews...

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Senin, 16 Desember 2013

[P239.Ebook] Get Free Ebook Proust as Philosopher: The Art of Metaphor, by Miguel de Beistegui

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Proust as Philosopher: The Art of Metaphor, by Miguel de Beistegui

Marcel Proust’s In Search of Lost Time has long fascinated philosophers for its complex accounts of time, personal identity and narrative, amongst many other themes. Proust as Philosopher: The Art of Metaphor is the first book to try and connect Proust’s implicit ontology of experience with the question of style, and of metaphor in particular.

Miguel de Beistegui begins with an observation: throughout In Search of Lost Time, the two main characters seem prone to chronic dissatisfaction in matters of love, friendship and even art. Reality always falls short of expectation. At the same time, the narrator experiences unexpected bouts of intense elation, the cause and meaning of which remain elusive. Beistegui argues we should understand these experiences as acts of artistic creation, and that this is why Proust himself wrote that true life is the life of art.

He goes on to explore the nature of these joyful and pleasurable experiences and the transformation required of art, and particularly literature, if it is to incorporate them. He concludes that Proust revolutionises the idea of metaphor, extending beyond the confines of language to understand the nature of lived, bodily experience.

  • Sales Rank: #1761123 in Books
  • Brand: Brand: Routledge
  • Published on: 2012-10-11
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.00" h x 6.25" w x .50" l, .50 pounds
  • Binding: Paperback
  • 136 pages
Features
  • Used Book in Good Condition

Review

"De Beistegui is bold to write yet one more book on philosophy in Proust. Bold and successful, since his attention to metaphor allows him to discover new insights, sometimes by clarification, other times through expansion into uncharted territory. … The author, with the aid of his translators, Katz and Simon, creates a work that is artful and a pleasure to read. ... Beistegui gives us much to think about." - Katherine Elkins, Notre Dame Philosophical Reviews

"Miguel de Beistegui is the rarest kind of philosophical reader: one who follows Proust where he goes, rather than leading him to foreordained theoretical conclusions, one who learns about life from Proust, rather than translating him into terms already known. This book deserves a place among the very small number of works on Proust that are serious about the depth and richness of Proust's thought. And the beautiful translation of Beistegui's account of Proust's style and vocabulary will enrich any English language reader's sense of Proust's language." – William Flesch, Brandeis University, USA

"Miguel de Beistegui's thought-provoking exploration of memory, imagination, metaphor, and that elusive quest for joy in the recherché masterfully illuminates the genius of Proust's fusion of philosophy and literature into a cathedral of words that transcends both without leaving either behind. Not only a welcome contribution to areas often neglected in Proust scholarship; it is also a challenging engagement with Proust's exploration of the human condition." - Nicolas de Warren, University of Leuven, Belgium

"In short, [this] is a valuable study, incorporating what has been done before while at the same time moving things in a fresh direction. Best of all, it sends the reader back, with renewed wonder, to Proust’s giant and magnificent novel." -Adam Gonya, Independent Scholar

About the Author

Miguel de Beistegui is Professor of Philosophy at the University of Warwick, UK. His books include Aesthetics After Metaphysics: From Mimesis to Metaphor (Routledge, 2012), Immanence and Philosophy: Deleuze (2010), Truth and Genesis: Philosophy as Differential Ontology (2005) and Heidegger and the Political (Routledge, 1998). He is editor (with Simon Sparks) of Philosophy and Tragedy (Routledge, 2000).

Most helpful customer reviews

1 of 1 people found the following review helpful.
This book is recommended as a really good introduction to some larger problems ...
By Bruce Frier
Succinct but powerful analysis of Proust's concept of time and his aesthetics. This is a very impressive performance. The usual approach among critics (and it is not without justification) is to describe Proust as intellectually eclectic, but here his thought seems more unified and coherent than in most other accounts. This book is recommended as a really good introduction to some larger problems in "Recherche."

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Kamis, 12 Desember 2013

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Fundamentals of High-Resolution Lung CT: Common Findings, Common Patters, Common Diseases and Differential Diagnosis, by Brett M. Elicker,

Fundamentals of High Resolution Lung CT presents a simple and concise approach to the HRCT diagnosis of diffuse lung disease. It is simple and straightforward and covers similar material presented in “High-Resolution CT of the Lung”, in a brief and approachable format. The chapters and illustrations are based upon, and demonstrate, the fundamental observations, rules, shortcuts, thought patterns and differential diagnosis used in every day clinical practice. This content is intended to review your basic and practical understanding of the lung diseases commonly assessed using HRCT.

  • Sales Rank: #669258 in eBooks
  • Published on: 2012-12-29
  • Released on: 2012-12-29
  • Format: Kindle eBook

Review
 "This book presents a concise and easily understandable approach to the use of high-resolution lung CT (HRCT) in the diagnosis and differential diagnosis of diffuse lung disease."

"It provides a practical and useful set of observations, insights, principles, and differential diagnoses so that readers can thoughtfully use these techniques in their practice, meeting these worthwhile objectives."

"While not intended to be a comprehensive atlas, this book provides substantial information in a concise but readable and understandable format. It provides a wealth of information and is an excellent reference for those interpreting these studies, particularly for those wishing to become proficient in this area."


Doody's Reviews
Bennett S. Greenspan, MD, MS(Medical College of Georgia

Weighted Numerical Score: 98 - 5 Stars!

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1 of 1 people found the following review helpful.
a. small very useful book
By Amazon Customer
Dr Webb is a superb teacher. He has an organized approach to lung disease. The images are good for such an inexpensive book.

0 of 0 people found the following review helpful.
Five Stars
By Amazon Customer
Would recommend it.

2 of 3 people found the following review helpful.
Excellent to understand the basics of HRCT
By Kenneth Escobar
If you are not a radiologist, and want to learn, understand and applicate basic knowledge about HRCT this book is for you. I am a pediatric pumonologist, and I have found it very practical and easy to read and understand.

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Rabu, 11 Desember 2013

[M646.Ebook] PDF Ebook Asking for it, by Louise O'Neill

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Asking for it, by Louise O'Neill

'A soul-shattering novel that will leave your emotions raw. This story will haunt me forever. Everyone should read it' Guardian In a small town where everyone knows everyone, Emma O'Donovan is different. She is the special one - beautiful, popular, powerful. And she works hard to keep it that way. Until that night ...Now, she's an embarrassment. Now, she's just a slut. Now, she is nothing. And those pictures - those pictures that everyone has seen - mean she can never forget. BOOK OF THE YEAR AT THE IRISH BOOK AWARDS 2015. The award-winning, bestselling novel about the life-shattering impact of sexual assault, rape and how victims are treated.

  • Sales Rank: #1358223 in Books
  • Published on: 2015-12-02
  • Original language: English
  • Dimensions: 9.17" h x 1.02" w x 6.42" l, 1.39 pounds
  • Binding: Paperback
  • 352 pages

Review
'Riveting and essential' New York Times Brilliant, harrowing Observer A brutal and shocking novel that strikes to the heart of the current debates around consent Stylist 'Establishes Louise O'Neill as a literary tour de force' Irish Independent A difficult, confronting and vital read Elle Heartbreakingly accurate ... handled with both sensitivity and unflinching honesty. A compelling and brave story that deserves to be read by all Heat A stunning portrait of a girl, a family and a town in trouble Irish Examiner A brutal, unflinching look at the culture of slut-shaming and trial by social media. It broke my heart. Red Magazine A brave and important book about rape culture, sexism and victim-blaming in modern society. Telegraph Bold, brave ... and brutal Bookseller O'Neill has a keen ear for the catty argot of teenage girls and her writing is razor sharp ... unsparing and unsentimental Independent A razor-sharp look at gender issues - Glasgow Herald Glasgow Herald Riveting ... a timely, gripping and vital novel. Western Mail A nuanced and insightful commentary on the intricacies of teenage female friendship and the internal and external pressures that young women face as they reach adulthood Irish Mail on Sunday Blistering, unapologetic and vitally important -- Anna James This unflinching, timely novel asks important questions about rape culture, sexism and social media abuse, tackling taboo themes with subtlety and sensitivity -- Anita Sethi Observer

About the Author
Louise O' Neill was born in west Cork in 1985. She studied English at Trinity College Dublin and has worked for the senior style director of American Elle magazine. She is currently working as a freelance journalist for a variety of Irish national newspapers and magazines. She lives in Clonakilty, west Cork, her website is louiseoneillauthor.com and you can find her on Twitter @oneilllo

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2 of 2 people found the following review helpful.
Reality: not all rape survivors are likable or sympathetic, and it's still not their fault
By Pink Amy
ASKING FOR IT is one of the most difficult reviews I've ever written because it's such an uneven book. The first third of this important book we're introduced to Emma, an entitled, unkind eighteen-year-old young woman with a difficult mother. She's quite popular, though mean to her friends. She has few sexual inhibitions, including whether her hookups happen to be dating her friends. This part of the story was so tedious, I almost looked forward to Emma's rape so something would finally happen.

The night she's gang raped and photographed, Emma dresses provocatively drinks and does drugs. None of this means she deserves to be raped, but Louise O'Neill brilliantly set up a scenario in which the victim/survivor made very bad choices and if not for bad decision after bad decision, she would not have been raped in the same manner. None of this makes the rape her fault. None of this means she deserved what happened or makes the young men any less culpable. Victims are not responsible for preventing their rapes, rapists are responsible for not raping. Emma could have walked into the party naked, drunk and high and being raped wouldn't have been her fault, especially while unconscious.

Emma becomes sympathetic only after her rape, the abandonment from her friends and the "slut shaming" she endures, but she never became more likable. And that's okay, because she's still a victim/survivor even if we don't like her. She still deserves justice and empathy.

O'Neill did a great job showing PTSD and how lack of familial support, except eventually from her brother, impedes recovery. ASKING FOR IT felt very realistic, much more so that other books about rape survival. There are no easy answers and the aftermath of assault doesn't come in s pretty package tied up in a bow.

0 of 0 people found the following review helpful.
I am a Thing to be Used
By Jonathan
David Mamet's film adaptation of his play Oleanna bears the tagline "Whatever side you take, you're wrong." I can think of no better phrase to describe the impossibility of discussing a novel dealing with rape. The moment one critic calls the novel "powerful," another will argue that all novels dealing with rape are considered "powerful" solely because of the subject matter and not because they bear any artistic merit. The moment one critic dares say the novel is lacking in some area, another will say that critic is part of the problem, is promoting the culture that allows--indeed, endorses--rape.

How can I possibly discuss this book without being seen as explicitly pandering to my audience?

I can't.

How can I, as a man, criticize this book's failures without being seen as implicitly endorsing something so upsetting that I had to take better than three weeks just to read the entire book?

I can't.

And Asking For It is an abject failure, but not because the subject matter is such that critics will roll their collective eyes and say, "Well, of course rape is bad," but because what the novel does right it does so right that it makes what it does wrong all the worse.

Consider Emma's thoroughly unlikeable personality. Ostensibly it's meant to illustrate that any woman can be raped, including the thoroughly unlikeable. Emma, however, never comes across as Queen Bitch so much as a typical and, frankly, quite boring teenage girl: vain, self-centered, and painfully insecure. This undercuts her challenge to the reader's sympathies. Because she is not likeable enough to elicit a strong sense of sympathy and because her less flattering personality traits are suspect, the reader is almost forced to view her as a sad, uncompelling character of no real aspect. Arguably, the novel does suggest O'Neill wasn't really interested in Emma as a character beyond using her to challenge reader notions of who a victim could be, but such a choice runs the risk of alienating the reader. It's difficult to say that entirely happens here, but the aftermath of the rape is certainly weakened because the reader goes into the second half of the novel feeling precious little for Emma.

But then the rape occurs, and for fully half of the novel, the reader is ensconced in Emma's never-ending nightmare. Here, the novel rises above its contemporaries to give something sorely lacking in rape literature: a genuinely frightening and heartrending look at the psychology of a rape victim before the victim even attempts to begin coping. The isolation, the resentment, the accusations: all of these are in the novel, and rightly so, but they are not given the primacy that so much rape literature relies on. Instead, O'Neill foregrounds Emma's inability/unwillingness to acknowledge events. She cannot remember events--there is a hole where those memories should be--and because of this, she cannot bring herself to acknowledge that she was a victim of her rapists. Even when looking at photographic evidence far more disturbingly described than in any other YA literature I've read, Emma refuses to believe that she didn't ask for it to happen. She never outright says she did ask for it, thought she does say she did not ask for the aftermath, but she cannot bring herself to dismiss the possibility. By coming forward and saying she was raped, she, in her mind, destroyed the lives of everyone involved, for which she feels an overwhelming sense of guilt. She hates herself for what happened after the rape.

I repeat: she hates herself.

And O'Neill is relentless on this point. Nothing else happens in the second half of the novel, save for the last twenty pages. Emma spends the entire second half loathing herself and begging for some kind of escape. She goes through the motions of getting better, of seeking medical and psychological treatment, but at no point does she think she actually deserves anything but her suffering. She did this. She did this to herself. And reading the second half of this novel is brutal.

Up to a certain point.

One could argue that little of substance happens in the first half of the novel, aside from the rape itself, but whereas the first half benefits from being narratively interesting, the second half relies entirely upon being psychologically enlightening, and thought it is, it is also a one-trick pony that wears out all too quickly. As harrowing as Emma's mind is, there is a point at which we begin longing for the narrative to move on to something else. O'Neill's point appears to be that victims can't always move on, that they sometimes become stuck in the trauma due to a lack of support and understanding, but because the reader feels so little for Emma going into the rape, it's difficult to sustain the reader's sympathies for nearly 160 pages of non-stop anxiety and self-loathing.

As an adult well-versed in literature lacking a strong plot, I did find the second half compelling, but I struggle to imagine the average teenager sitting down with this novel and not becoming, for lack of a better term, bored--guiltily so, I'll concede--with Emma's misery, if only because nothing else happens. YA literature is at its best when it remembers to put the story first and allow the themes to branch off from the story organically. Asking For It asks much more of its audience: its asks for a willingness to view excruciating pain without offering any relief. It is a bold gamble on O'Neill's part, but I am hesitant to call it successful.

Unquestionably unsuccessful, however, is O'Neill's attempt at writing a novel dealing with rape culture. The novel--when it actually attempts to introduce the issue of rape culture at all--relies entirely on the superficial. Dressing provocatively means that a woman is asking for something bad to happen to her--this is the deepest that the novel probes. At no point does the novel even attempt at addressing why society responds the way it does; it merely acknowledges that it does response the way it does. The novel attempts to guilt its reader into accepting rape culture as a fact without evidence, without discussion. The worst offender of this is the novel's treatment of Emma's family. Emma's mother, Nora, a vapid excuse for a human being in the beginning made even more vapid by the stress of coping with her daughter's rape, is portrayed as an angry alcoholic solely due to her daughter's rape, and Nora's anger is dismissed as inappropriate and unsupportive. Of course she is angry! Her daughter was raped! Were she not angry, she would be competing with Medea for the title of Worst Mother Ever. Even more alarming is the novel's treatment of Denis, Emma's father. Denis distances himself to the point of refusing to speak to his daughter after her rape. Emma recalls her father asking why allowed this to happened, why she put herself in that situation. As is typical of so much rape literature, it ignores any complexity in favor of reinforcing the pre-supposed conclusion that rape victims are not supported the way they need to be. Again, of course he is angry! His daughter was raped! In his distance, he's not saying that he doesn't love his daughter; he's saying that he failed as a parent, not only to instill the values that would have limited her promiscuity but also to protect his child from harm. His distance comes not necessarily from an absence of love, but from an overabundance of guilt. In his anger, he lashes out at those nearest because he has to go somewhere with his anger, however inappropriate those places might be. He is trying to understand what cannot be explained: why does this happen?

Perhaps that is why the novel fails to adequately address rape culture: because rape culture seeks to explain something that ultimately cannot be explained. Why does nature produce aberrance? It just does, maybe not intentionally, but every so often, nature produces monsters. Rape culture believes that rapists are products of societal influences and seeks to reveal those influences and, by revealing them, eliminate them. The unfortunate consequence is that rape culture reduces the individual's accountability. A boy who rapes a girl did a bad thing, yes, but he was the product of a society.

Sometimes nature produces monsters, and sometimes those monsters just hate women.

0 of 0 people found the following review helpful.
Incredible read that is both thought provoking and heartbreaking.
By Tess
I simply could not put it down. I have not read a book that has touched me like this book has in years. Louise O'Neill's writing is fantastic. The main character Emma at times is not all the likeable but the results of a night out with too much too drink, wanting to be cool and needing to be the popular one result in unthinkable consequences. It is an emotional roller coaster of a story. As recent debates have being aired after the case in the USA of the rape of a young girl who was intoxicated, if you go out and get drunk you expect a hangover and not to be raped. The simple fact states that women are still blamed for being raped and not in some middle eastern country but here in the so called first world, where men and women are "equals" She wore a short dress, she was drunk, she has a reputation for sleeping around and this book just opens your eyes to this ugly truth that if we are all a little bit honest there is that niggling thought at the back of our heads when we hear of a rape where the girl knew the man/men who attacked her. As I mentioned early this is not a delightful read but it is most definitely a most read.

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Selasa, 10 Desember 2013

[G223.Ebook] Get Free Ebook Color Atlas and Text of Clinical Medicine, by Charles D. Forbes, William Jackson

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Color Atlas and Text of Clinical Medicine, by Charles D. Forbes, William Jackson

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Color Atlas and Text of Clinical Medicine, by Charles D. Forbes, William Jackson

This atlas presents new pictorial coverage of the whole of clinical medicine. Designed to stand alone or to act as a colour companion to the major medical textbooks, its organization and range of coverage follows that of the standard texts of medicine. Numerous colour illustrations highlight the clinical signs of all major medical disorders and the clinical illustrations are accompanied by radiological, ultrasound, endoscopic and other images whenever this adds to the clinical usefulness of the book. Each chapter starts with an illustrated guide to symptoms, signs and investigations before providing a systematic coverage of common and rare disorders. Used alongside one of the standard medical textbooks it aims to give a view and understanding of clinical medicine.

  • Sales Rank: #1999055 in Books
  • Published on: 1992-11
  • Original language: English
  • Number of items: 1
  • Binding: Paperback
  • 528 pages

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0 of 0 people found the following review helpful.
USMLE prep, ABIM prep, I.M.G., Advanced Practice Provider (N.P. and P.A.) Education
By Mickey Grossman
TITLE: A Colour Atlas and Text of Clinical Medicine
AUTHORS:
Professor of Medicine Charles D. Forbes D.Sc., M.D., F.R.C.P., F.R.S.E. Ninewells Medical School...Dundee Scotland
Consultant:Dept. of Medicine William. F Jackson, M.A., M.B.,, B.Chir., M.R.C.P. Guy's Hospital London, England
REVIEWER: Josh Grossman, Colonel {r} U.S. Army Medical Corps, M.D., FACP
An outstanding beautifully illustrated text which should be on the shelves of all of our City, County, University, and our College of Medicine Libraries; that should be given to all of our incoming first year medical students and our PGYI residents to discuss with their MENTORS.. Moreover I plan to keep my copy handy on my desk Mentoring our Student/Resident candidates for our USMLE and our A.B.I.M.
|REFERENCES|
1. Grossman, Z. D. and Grossman, J. B. - “Telephone Tutoring for U.S.ML.E III: A Novel Approach.”
2. Grossman, J. B., “Mayo Clinic Internal Medicine Review 2006 – 200”7 Journal of the American Medical Association {J.A.M.A.}, pages 685—686, 08August 2007
3. Grossman, J B. “The Johns Hopkins Internal Medicine Board Review”: 2008 – 2009, 2nd Edition (Certification and Recertification) Tennessee Medicine page 08, August 2010
4. Grossman, J.B., “Detox Diagnostics Keeping Medicine in Psychiatry,” Psychiatric Times, Volume XV, Issue 01, January 2002.

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